After successful completion of the course, students are able to. After successful completion of the course, students are able to. After successful completion of the course, students are able to. After successful completion of the course, students are able to. After successful completion of the course, students are able to. After successful completion of the course, students are able to. After successful completion of the course, students are able to. After successful completion of the course, students are able to. After successful completion of the course, students are able to. After successful completion of the course, students are able to. After successful completion of the course, students are able to. After successful completion of the course, students are able to. 

In Claude Faraldo's anarchic cult film Themorc from 1973, the eponymous protagonist, a house painter played by Michel Piccoli, has had enough: of his dull nine-to-five job, of his sexual frustration and of his old mother, with whom he still lives. The only thing that helps is the emergency brake. He bricks up the door of his Paris flat, takes a sledgehammer to the outside wall, tears off his clothes, throws the furniture onto the street and begins his next phase of life as a cannibalistic caveman. Building in existing structures in its most radical form and by the way architecture without architects.

Task: The development of an innovative and radical intervention in the Technisch – Gewerbliche – Abendschule on the site of the "Campus of the Arbeiterkammer" in Vienna's 4th district. The aim is a "deconstruction" - in the sense of Gilles Deleuze - and reorganisation of the current very exclusively defined relationships between urban space, building and the adjacent Anton Benya Park, as well as the general relationship between interior and exterior space, nature and culture and body and space. It is about space, intermediate spaces and switching spaces in the dialogue between existing buildings, partial demolition and new construction with a complex and spatially varied circulation system with several entrances and entrances.

Technical innovations and social changes call for high-performance and functionally open, changeable and multi-readable structures / buildings.

Inspired by the Situationists, Dutch artist and architect Constant Nieuwenhuys declared the concept of homo ludens to be the programme for his radical and fantastic megastructures of the 1970s. No clear functional programmes, but a variety of possibilities for the appropriation of different users. At best, a multi-dimensional spatial laboratory in which the most diverse uses can be found and invented in a creative and playful way as time changes. In contrast to clearly defined functional programmes, changeability and switchable zones of a spatial, energetic and atmospheric nature. Special attention is paid to a holistic concept in the field of tension between urban design - architecture - supporting structure - energy design - green design, as well as the coherent and appropriate choice of construction principles and materials.

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